Son Seals in an experimental mood, utilizing chord progressions that occasionally don't quite fit together seamlessly (but give him an A for trying to expand the idiom's boundaries). Less innovative but perhaps more accessible are his smoking covers of Albert King's "Nobody Wants a Loser" and Junior Parker's "Goodbye Little Girl." 9.99
Buddy Guy's Legends has become as celebrated as its namesake for providing Chicago with the highest quality blues talent to be seen anywhere. From the Monday jam sessions to the constant flow of world-class talent on weekends, Legends is a required stop for soul-stirring blues and barbeque. Chicago
I have always been fascinated with the teen movie. I watch them now, even though I look somewhat ridiculous doing so at my age. "Who's the old broad?" I hear them whisper. Why can't people make their rude comments more quietly? Anyway, adolescence is such an interesting time
This is a follow-up of sorts to fellow Blogcritic Glen Boyd’s recent “Whatever Happened To The Live Album?” article published on BC a couple of weeks ago. I really enjoyed Glen’s piece. But there seemed to be an essential element of the Seventies live album absent from
